"Miao Clothing" Worn On The Body "Book"
In the southwest of Phoenix City, Xiangxi, there is a phoenix that resembles a flying wing. The ancients used the Phoenix as the name of the city.
Phoenix ancient called the town pole, spring and autumn and Warring States period belongs to Chu, Qin County, Guizhou Province, Tang Wei Yang County, yuan and Ming Dynasties set up the division of Wuzhai, the Qing Dynasty hall, town, road, government, all previous dynasties Phoenix is Xiangxi's important town.
It has been praised by Louis Eli, a famous New Zealand writer, as the most beautiful city in China.
Today, it is
Miao Nationality
and
Tujia minority
Warm home.
Tuojiang passing through the city, row upon row of the hanging tower, across the blue boat, through the vicissitudes of the old streets and alleys, still has the beautiful style of Shen Congwen.
Wandering around the ancient city, people who are always in a hurry to see it are those Miao girls who dress brightly and silvery.
They let the memories of a city come alive, as Cui Cui in Shen Congwen's writings, and rushed to the riverside to shake the oars.
Most of the bright colors in Xiangxi are brought about by Miao people's clothing.
The eight hundred and eighty thousand Miao people living in Xiangxi use the colorful lines to make the most excellent annotations for the national culture.
Miao people
Embroidery
The pattern is related to the lost ancient Miao script. The design of the Miao costume is called "the living fossil of studying national history and culture".
The clothing of Miao people in Xiangxi has been changing quietly over the years.
In ancient Xiangxi, the dress of men and women was very similar.
In the period of Daoguang, "records of the Phoenix hall" records: "Miao people live in villages and grow in hair, and they all wrap up their heads and go to moustache like women.
Short clothes, feet, red cloth wrapped waist, green blue shirt, embroidered flowers.
The rich hair is about four or five times with a net hairpin, long as a dagger, a flat lower circle, and a two ear silver ring, such as a bowl, a silver ring around the neck, and a hand Dai Yinchuan.
"Women's silver hairpin, collar, hand bracelet are all like men, but two ears are linked by silver rings and three or four circles, and clothes are slightly longer than men's.
The slanting collar is straight down, decorated with tin floss or embroidered flowers. The rich head wears a large silver comb, with silver cord around its bun, wrapped in a green embroidered handkerchief, waist not tied, not lined with a brocade, with a brocade as a skirt, and the green red road, and Ding Xiling embroidered velvet flowers, two or three different, different from men.
"The unmarried man is divided into braids, with the tin bell and the Pearl as decoration."
In the Qing Dynasty, during the period of Yong Zheng's implementation of "changing the soil and returning to the stream", "clothing should be divided into men and women", and the dress of the Miao people obviously absorbed the characteristics of the Han nationality.
Men wear breasted jacket, trousers, tacks and leggings.
There are also large sleeves that wear the same Mandarin coat. The clothes are long enough for the knees.
Women wear a round neck collar, wide sleeves and a wide skirt, and embroidered aprons.
Skirts, cuffs, hem and trouser legs are embroidered with wide and multi-layer lace.
When it is cold, it is on the shoulder of the coat coat, Baotou pa.
Since modern times, the clothing of Miao people has evolved from a single dark blue and black tone to a colorful style, which is closer to the stage.
Hmong women believe that the colors in nature are the color elements needed by their clothes, and they should be put on them so as to form a kind of beauty which originates from nature and surpasses nature.
Modern Xiangxi Miao men's clothing, head blue and white cloth one to three Zhangs, diagonal cross belt, like a hat.
Wearing seven cuffs, the sleeves are long and small, and the trousers are short and big.
Some Miao families have seven pieces of clothing for their epigenetic clothes, one button on the outermost layer only buttons the bottom buttons, the second buttons only button two buttons below, and button up seven pairs of buttons in the bottom to show its wealth and forthright.
Women's costumes are gorgeous and colorful.
The Miao women in Fenghuang city are decorated with flower plates, shoulders, skirts, red edges, embroidered flowers and birds. They wear chest girdling, and their heads are wrapped around Hua G Bbu Pa. They are more than ten meters long and are surrounded by a cylindrical shape. They are tall and beautiful.
When the weather is cold, pack short pads from front to back and cover two ears.
All the girls in the Miao family are beautiful and beautiful. They wear beautiful clothes and are more charming and charming.
The beautiful clothes set off the graceful posture of the Miao women, and the silver ornaments made them more rich and rich.
Earrings, necklaces, bracelets, rings, silver caps, silver basins, necklaces, toothpicks, silver shawls, silver crowns, needles and so on are all the favorite accessories of Miao girls.
A large and heavy silver necklace weighs about 2 kilograms, and the four sides spiral like a cane. It is a symbol of the long love of Miao people.
The most ingenious toothpicks in silver jewelry are simple in shape, mostly in the expression of love, such as "Luan Feng neck", "Shuang Feng Chaoyang", "double peach", and so on.
A silver toothpick is made of many thin pparent toothpicks, some small silver bells and eight small silver chains.
And the tiny silver chain is made up of hundreds of miniature silver rings that are less than two millimeters in diameter. They are made by Handcrafted Silver craftsmanship. The exquisite workmanship is amazing.
During the festival, the Miao men, women, old and young stopped their work, put on their costumes and invited them to join in the song and dance.
苗家姑娘打扮得像開(kāi)屏的孔雀，彩色軟緞的衣料鑲著五色絲繡的花邊，裹得高高的條紋頭帕頂端，飾著用銀絲銀片鑲成的鳳冠，滿(mǎn)身銀器，不時(shí)地飛出一串“丁零”、“丁零”的聲響??她們聚在一起，時(shí)而把頭湊在一塊兒竊竊私語(yǔ)，時(shí)而開(kāi)懷大笑，逗來(lái)吹蘆笙或嗩吶的后生們，在她們身邊載歌載舞:你披上繡花邊新衣了/你穿上百褶的裙子了/頸上的銀圈光閃閃/印花巾在盤(pán)髻上裹包/妹呀，這樣比孔雀更美了/妹呀，這樣夠畫(huà)眉贊嘆了/你不要輕輕地笑/那緋紅的臉頰我不敢瞧/我要是眼饞一絲啊/魂魄就保不住了……
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