Harsh and simple in the 2011 spring and summer Dior Homme series is most vividly displayed, art director Kris Van Assche once again shows the original beauty of the high fashion. The unstitched wiring and the direct application of the garment cloth fully embody the simple aesthetics of "less is more".

Elegant deconstruction, coming and going like wind

Today, men's clothing designers regard deconstruction as a lifesaving straw. Everyone seems to be better at plotting a sketch with a scalpel. The unscrupulous outline pformation is like a complete and decisive operation that will completely disintegrate the established and traditional fashion image.

With a slender suit, the clothing is full of flowing and flowing elegance in dynamic interpretation. When the color tends to be monotonous, the black and white tones such as black and white, dark blue, beige and dark grey, Kris Van Assche tries to strengthen and highlight the exquisite cutting skills. First, when it comes out, it is the overall effect of weakening the collar structure in western suit. In addition to putting out a round collar suit similar to the Chinese tunic suit, he also innovates the lapel of the suit so as to make it narrow and narrow and long and narrow. 2011 spring and summer, Kris Van Assche continued the autumn and winter "Coal" series of modeling, wide and ankle windbreaker.

Building a brand new era

The invitation to the fashion show invitations to the participants is a small piece of white embryo cloth, with an indiscernible "Lessness" printed on it. Kris Van Assche not only loves abstract art, but also is good at creating contradictions and contrasts in fashion culture, because the central stage is covered with white gauze and the abandoned device obviously shows a strong "Moreness" meaning.

Since the 2007 spring and summer took office, Kris Van Assche has clearly established its own Dior Homme style - cascading cascading, no specific structural fluency, and unrestrained deconstruction.

Compared to a bony and ill morbid beauty, Kris Van Assche favors the manly spirit of dynamic temperament, which is accomplished by tailoring. He is not good at tinkering with flowery colors and has no striking breakthroughs in styling. It is only a return to the designer's original point and is willing to be a persistent tailor. The current Dior Homme can not be as famous as the Hedi Slimane era. However, taking tailoring and other fashion entities as guidance is undoubtedly beneficial to the long-term development of fashion houses.

Authoritative voice

Esquire.com: if you use the most black, the best way to test is the sense of architecture. Kris van Assche is doing very well on this point.

International Herald Tribune: the designer shows a more fresh and loose outline, which makes Dior Homme far away from the established image.

Women's Wear Daily: a required course to demonstrate the use of lightweight fabrics to weaken the lines of clothing.

Best shape

Asymmetric tailoring is the design focus of Kris Van Assche in the 2011 spring and summer Dior Homme. The black blouse is directly open on the right side of the body, and all the white sutures are retained, and any button is eliminated. The whole dress has the style of western suit (for example, shoulder profile and double bags), but it is completely unlike traditional Western-style clothes. Instead, it almost exists above the body. The trousers with the same shape are loose and the waist of the trouser waist is slightly lower than that of the crotch, so the whole gas field is unified and casual, showing a slovenly fashion.

Best single product

Dior Homme, the global propaganda hard and wide photographer Karl Lagerfeld, said the new series contained "philosophy in simplicity" and "elegance to the extreme". This kind of aesthetics is particularly evident in accessories design. The models are wearing dark hidden leather sandals, with a black canvas stockings in the binding leather framework, and a pair of gladiators on the base of the instep, which are similar to the gladiators.