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This new idea is mainly expressed by printing -- the usual way of Peter Pilotto.

Inspired by recent Asian trips, they created a pattern according to Japan's "light trucks" (thousands of lights were stored on vehicles), while the other was extracted from Chinese opera facial makeup.

The latter has a sense of bouquets, which is suitable for some gorgeous, uncomplicated structures. The "light truck" pattern is more difficult to handle, but it looks fantastic under the deep blue velvet bandage.

While making the profile slim, Pilotto and De Vos also used the more complicated crisscross and clipping effects to develop the last season's wrap and bonnet.

Another update is the beading on costumes - Pilotto called three-dimensional printing, which continues the last season's large number of striped embroidery.

However, the most interesting new concepts in the series are presented in fur and bulky short coat.

A short woolen jacket with a distinctive Pilotto feature is made in collaboration with Schneiders, a Austria garment brand. The fox's hair shows a vibrant color stripe, which is absolutely noticeable.

All in all, though this series does not present any exciting new themes, it is Pilotto's self confidence and meticulous work.