< p > the a href= "//m.pmae.cn/news/index_z.asp" of the year has just come to an end. The fashion week's series of processes are: show, order, sale, additional order...

In just four weeks, nearly 300 show shows in New York, London, Milan and Paris on T, which will be on sale in August 2013.

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Before the depression of atmosphere enveloped Europe, fashion week was always full of endless design sparks and beautiful clothes. Young a target= "_blank" href= "//m.pmae.cn/", "designer /a", was constantly presenting new challenges, challenging every crazy new design and new ideas, and constantly challenging women's traditional dressing rules.

In the 2013 autumn and winter series of show shows, we see designers spend their minds on designing exquisite and beautiful fashion, without losing a shrewd business sense, because they know their brand's "masterpiece".

For example, Chanel continues to focus on the application of jacquard knitting < a target= "_blank" href= "//m.pmae.cn/" > cloth < /a >; C e line has continued the excellent coat and knitted design strength; Valentino has been playing with classic art as usual, and this season is inspired by Vermeer's famous painting "girl with Pearl Earrings"; the bag design of LV is still so classic and noble.

< p > but fashion editors have different opinions.

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< p > < a href= "//m.pmae.cn/news/index_p.asp >" American "/a" Vogue "special editor Sarah Mower said," fashion needs radical new concepts, designers should introduce new ideas and design exciting fashions ".

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< p > other editors who prefer business to business have different views.

"Grazia," a href= "//m.pmae.cn/news/index_h.asp" > Fashion < /a > editor Susannah Frankel said, "many designers and brands have returned to their true roots this season, returning to the core style of design. I do not think this is boring.

This is actually presenting the fashion that is always trustworthy for the consumers. This is also a kind of confrontation with the crazy high street fast selling fashion in recent years.

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< p > British Vogue fashion editor Emma Elwick Bates thinks, "in the bad economy, returning to the true design is a good business strategy.

From the point of view of Vogue, the design of autumn and winter series has returned to the real female dressing angle, just like the women in Hitchcock's lens.

More naked clavicle and chest... But fundamentally, designers really have a hard time. They have added many tempting elements to the original single winter series.

Maybe next winter, the real coat and boots will come. "

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