This is not an optimistic and positive series, but a lingering tension between the tact and uncomfortable sex in the central part of the United States.

New York, the opening stage, the great encircling screen shows the clip of the great white shark.

The spectators were really terrified, for fear that they could see the picture of the shark's tear. Fortunately, at the very beginning of the crisis, the opening model attracted her eyes.

A tweed coat with a diving suit! The shock is not from the picture of the shark's tear, but from an internal release.

Therefore, the latest series of Raf Simons for Calvin Klein is like a collection of surreal movies.

The great white shark has distinct traces.

Such a picture and

It is also interesting.

The college boys who walked on the stretches walked slowly in their gowns and robes.

Under the soundtrack of Simon and Garfunkel, she became a new graduate. Raf said after the show: "these two films play an important role in my memory."

These two movies also occupy a pivotal position in the latest survey of American citizen psychology and emotion.

In the past, under the influence of Hitchcock (Hitchcock) and David Lynch (David Lynch), Simons has exposed the lies of the American dream.

This time

The show is no exception.

He said that his theme is "beauty will eventually become a disaster in love, nature and politics".

In other words, humans will eventually live on this narrow planet.

In a sense, this series does not show an optimistic atmosphere, but there is a stirring tension between the tact and the uncomfortable sex in the central part of the United States.

One side is a wrinkled cocktail.

Irregularly inlaid with brooches.

。

On the other side, suffocating black latex clothing.

Mrs. Robinson (Mrs Robinson), let me introduce you to Bartholomew Quint, OK?

The two worlds converge on the pleated skirts of the shark's teeth. This is such a surreal picture. The essence of these films from Hitchcock and Lynch makes everyday life frightening.

Not only in Calvin Klein, but also in his own series of works.

Remembering the holes in his previous works, the sweater of letters, which is here, is magnified.

It seems to have a solemn and stirring meaning, or the traditional custom coat, knitted and black rubber match, greatly breaking the Convention.

Today's mood is like a deviated world, a huge weird sign wandering under the fragile earth surface, waiting to break through everything.

The political subtext is isolated.

As Bowie's "This is not America" sounded, the fashion show ended, which seems to be the habit of Calvin Klein under Raf Simons.

In addition to the Scarborough Fair that was heard in the past, it was replaced by the chorus of Simon and Garfunkel from the graduates.

Sweet and sad...

This is a strange and ambiguous expression, the last sigh.

There, hope is so heavy.