Olympic Costumes Of Various Countries Show Fashion Show For Four Years.
At the opening ceremony of the Olympic Games, the most relaxed and elegant one, and it shows the close relationship between sports and fashion is Australia's entry dress.
Blue and white tone is the main tone of the sport, from the dark blue slippers upward gradient, with a silver baseball cap to end, the gradual change of texture and space fluorescence effect, coincided with the 2007 Milan autumn winter fashion week Prada coincides.
Of course, this spring's wide waistband can also be seen on the French women athletes.
If we only regard the opening ceremony as a fashion show, we can draw a simple conclusion, just like the commentator Eric Wilson of New York Times, commenting on the commentator, "Canada's young people wear a short sleeved jacket and carry a bulging bag, like a group of salesmen"; "the Russian team's shirts make them look like a group of gorgeous cowboys, but stand together and lose their focus"; "athletes from African countries are all masters of dyeing and color matching"; "Latin Americans are better at using the element of hat".
But when the models of clothing are the athletes who show the beauty of their bodies, the clothes on them are not only simple but also the colors and styles.
Francois Sura day is a professor at the eighth University of Paris and the National Academy of art history. The day before the opening ceremony, he delivered a speech entitled "body and media body of sports" at the French cultural center. This mysterious topic is spoken by French, but more mysterious. The professor said that we can analyze the Olympic Games from the economic, political and moral perspectives, but seldom discuss the Olympic Games from the intellectual level of intellectuals. Our thinking about sports is always passive, staring at the screen in front of the TV, not as hard as before a picture of Rembrandt. The result of the professor's thinking is that from the time of the ancient Greece, athletes were regarded as "Heroes" between gods and mortals. They tried to reach the limit and tried to break through the tragedy of the body and face competition with others. But when the third bodies - the audience appeared, the body of movement was no longer a pure "natural" body. Athletes have sharp eyes, they become superior "superior body", can benefit from the "golden body" and seemingly never fail "image of the body", which is attached to the imagination of the body, is driven by the media and fashion brand.
Occasionally, we can see that the fashion and the body are completely fragmented. The American version of Harper 's Bazaar 8 has a series of "Olympic blockbusters". The Chinese actress Lucy Liu is a model. She stands in a Dior dress dress on a boxing ring, waving Chanel 2.55 packets as a discus, playing Giuseppe Zanotti shoes on a balance beam, and lifting two rivets with a Gucci bag in the snatch gesture. The balance between sports and fashion is distorted in Lucy Liu's body, and the body is completely covered by aggressive big names. This blockbuster is quite retro, as if it were the object of Foucault's criticism in 1980s: "a person's control and self-consciousness of his body can only be obtained through the operation of the body's power: gymnastics, sports, muscle exercises, nudism..." Take off your clothes. Be slim and nice. You'd better get bronzed. "
More fashion workers realize that merely talking about clothes and neglecting the body is not scratching the itch, just like watching the discomfort in the museum during the dress exhibition, the fluttering calm and silent hanging, creating a kind of mausoleum effect with a stiff posture, and half and half of it is showing some frustrating things, such as the abhorrent decay of body and the dread of life. The V&A Museum in Britain has tried to dispel the sense of panic and set up an "olfactory link" specially in the "Sport vs Fashion" exhibition opened in the same period of the Olympic Games, collecting sweat from people in sports, and distributing odors in special venues, so as to achieve the exchange of "health, gender, age, emotion and even aggression" between costumes and spectators. The contents of the exhibition are fragmentary fragments, which strung together the short history of fashion and movement from separation to integration. The Chanel, which originated in the 1920s, draws the inspiration from England, which is inspired by the inspiration from the "sea side". It features the Tweed (unique British men's cloth), sailor collar blouse, striped sweater, beret and navy blue and white collocation. The occasional combination of sports and fashion stems from this woman's personal interest. She once declared: "I invented the sportswear for women, not because sports are popular among ladies, but because I love sports." Then, in 1960s, Andre Coridge, the suspected inventor of miniskirt, promoted the emergence of sports clothing and "sneakers". Following the fitness craze of the late 1980s and 90s and the invention of Lycra, sports shoes and sports bra became a popular product, and even regarded as a symbol of women's liberation. In 1996, the number of women buying sports shoes exceeded the number of men for the first time, 14 million 850 thousand to 11 million 670 thousand. Today, the blending of fashion and sports is no longer a season of sudden fantasy, adding a bit of sports elements into fashion, but really entering the field of professional sports. As a result, Yamamoto Teruji and Stella Macartney cooperate with Adidas, Alexander Macqueen and Gil Sandel pform Puma, Paul Smith simplifies Reebok's logo, and Wakubo Rei draws fluorescent strips for Speedo swimsuit.
Also in another exhibition during the Olympic Games, the "Fashion in Motion" exhibition at today's art gallery in Beijing seems to show the highest level of fashion to sport. There are 12 series of designer's sports series, which are collected by Lian Ke Fu: Givenchy's archery dress, Alexander Macqueen's fencing suit, Burberry sailing suit, Pucci's Gymnastic clothes... Although they are very popular, they also have the practicality of playing field. A striped jacket made of 109 white and yellow plastic badminton plus 36 goose feather badminton is not suitable for any project. It comes from Martin Margiela. This designer is known as a master of deconstruction. He once used the combination of secondhand clothing and Salvation Army.
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