President Yang Donghui said that in the Pearl River Delta and Yangtze River Delta, their industrial development is different, and their original accumulation is different.

The Pearl River Delta is known to have developed from three to one after the reform and opening up. Most of its original accumulation is subsidized and the whole enterprise is developing constantly. He also first accepted foreign countries, and accepted some foreign ideas from Hongkong to give us cloth products, including our AVON Pavilion Hongkong. He was different from the Yangtze River Delta in the primitive accumulation, and the Yangtze River Delta relied on his original efforts.

From spinning cotton, some of them are pformed from traditional industries, for example, their cloth art is made of chemical fiber and quilt, and they are pformed into cloth and bedding products. Most of them start to make embroidery, and gradually evolved into the present home textiles. Their development concept and primitive accumulation concept also decide that they are different in design and concept. They also have different business concepts. The Pearl River Delta, as I have just said, is the idea of three to one supplement to accept foreign ideas, and it starts with more. But they are not like the Yangtze River Delta from the cotton and the Yangtze River Delta are fighting from childhood, so many enterprises are going to grow big, and only Xu Bohua is the one hundred year old shop with Evergreen Foundation. Some are from shoemaker, others are

But most enterprises are bigger. Fixed assets must be fixed assets in the Pearl River Delta. The enterprises in the PRD are fixed on the Yangtze River Delta.

　　珠三角是快變，這個(gè)和他的經(jīng)營(yíng)理念有關(guān)，這個(gè)長(zhǎng)三角他是慢功夫是深，這個(gè)和他經(jīng)營(yíng)理念，成長(zhǎng)過(guò)程這里面得有很深刻的東西可以去看，還有文化，生活習(xí)慣，確確實(shí)實(shí)是不一樣，他的紋樣，喜愛(ài)都是不一樣的，所以我們要研究這兩項(xiàng)，文化確確實(shí)實(shí)有很多的有待于我們深刻的去發(fā)展，如果我們寫(xiě)兩個(gè)三角企業(yè)發(fā)展史，再深挖對(duì)于設(shè)計(jì)理念可能會(huì)更深刻，我們這次說(shuō)到設(shè)計(jì)，確確實(shí)實(shí)隨著家紡不斷發(fā)展，它的設(shè)計(jì)理念也不一樣，過(guò)去我們家紡是產(chǎn)品，作為一個(gè)設(shè)計(jì)一個(gè)產(chǎn)品一個(gè)床單，只考慮一個(gè)平面效果只設(shè)計(jì)一些花型搭配，色彩搭配這個(gè)方面研究比較多，對(duì)于花樣紋樣設(shè)計(jì)比較少，逐漸提出了大家的理念，也就是說(shuō)我們提出的軟裝飾文化在軟裝飾是一個(gè)組合的概念，窗簾，床品，臺(tái)布這么一個(gè)軟裝飾，是一個(gè)集體的概念，在這個(gè)方面我在服裝學(xué)院專(zhuān)門(mén)講過(guò)

This design, from Gestalt theory to our design, now refers to the concept of "soft decoration culture" to the concept of "big family". It is a concept of the whole space. In such a design, it is not only a match between our soft decoration and home decoration, but also a complete concept.

　　在家居有臥室文化，客廳文化，餐廳文化，書(shū)房文化，衛(wèi)生間的文化，都不一樣，他們的色彩要求，花型的要求各個(gè)方面都完全不一樣，這就要研究更深入，應(yīng)該是什么，臥室的文化是什么，客廳的文化怎么促進(jìn)飲食，增加鈣的吸收，談到家飾，為什么我要跟他們講，有了軟裝飾文化我們的家飾要和我剛才說(shuō)的幾個(gè)居室的功能不一樣，所以家飾也絕對(duì)不一樣，有一個(gè)五星級(jí)賓館開(kāi)業(yè)讓我去看，他們裝修樣板間裝修，我當(dāng)時(shí)就提出來(lái)，都很高檔，但是你這個(gè)搭配你這個(gè)絕對(duì)有問(wèn)題，除了我們軟裝飾概念你有哪些問(wèn)題，當(dāng)時(shí)我提出來(lái)一個(gè)概念，他說(shuō)你這個(gè)概念我從來(lái)沒(méi)有想過(guò)，他在臥室里面擺的一些飾品，見(jiàn)棱見(jiàn)角，在臥室里面我說(shuō)你絕對(duì)不能擺這些東西，睡覺(jué)前看到一個(gè)見(jiàn)棱見(jiàn)角的東西，有時(shí)候往往有一種心理暗示，見(jiàn)棱見(jiàn)角的東西可以容易做惡夢(mèng)，這個(gè)我不是

Every time he watched TV at home, he pressed the switch, but the little red light was still on. He always used to press the button. He always felt a little red light. He always felt a little red light. He woke up and woke up with a fire. In fact, there was a red light that would cause a big fire. In fact, we were in the home decoration, too. The bedroom had to create such an environment at the beginning of a person, so flexible, why many of our bed names AVON Pavilion, fuanna, including Luo Lai, the original LOGO three points, I said that you resolutely removed this LOGO, which is by no means a bed product, and later he changed it. There are many cultures that we need to deeply study and excavate. Jokes, we have an industrial mayor in one place.