世博，毋庸置疑是時下最高頻的用詞之一。而當(dāng)筆者在試運(yùn)營期走訪世博會的時候，發(fā)現(xiàn)世界的是世界的，中國的仍舊是中國的。

From the ceremony Miss dress, China, Shanxi, Shandong, Liaoning and other areas of the reception area clothing is mostly brocade cheongsam improvement, and the Shaanxi Pavilion is more serious is to "Yang Fei" as a usher to move to World Expo, and Yunnan, Guizhou area service lady clothing is also a lot of there is no design change of Miao and Zhuang ethnic costumes.

Of course, there is nothing wrong with this. Only more Chinese local pavilions not only lack the design of staff clothing, but also regard "folk custom" as the theme.

These contrasts strongly with the European buildings that symbolize the future, with original designs and forward-looking thinking.

It is said that the Danish pavilion is moving into the 900 year old Mermaid, the bronze statue of the heroine in Andersen's fairy tales.

During the trial operation, when the real mermaid hadn't arrived, it was temporarily displayed by a mermaid sculpture substitute of Ai Weiwei.

I think this post-modern sculpture is worth mentioning, but in more Chinese venues, there are not enough materials for original design content like this, more of it is authentic history and folk material.

To tell you the truth, the city of Shanghai still has a lot of stomach. It just can contain things such as East and West, Chinese and foreign styles.

But when the "future" narrow path "folklore", this kind of collision tension really makes people feel a bit complicated.

It is doubtful that if only the Millennium folk custom can be matched with the future city.