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EQ:IQ Integrates Wisdom And Emotion

2011/8/9 12:34:00 44

Integrating Wisdom And Emotion

Recently, fashion

Women's wear

The brand EQ:IQ has launched a series of artistic works called "French romance" with Ma Yanhong, a famous young woman artist in China.

The cooperation was based on the autumn and winter series in EQ:IQ2011. The whole series of inspiration came from 50 and 60s of last century. Ma Yanhong once again presented four female representatives in the new wave period through oil painting.


This season EQ:IQ autumn and winter series are women who are artists and inspiration.

Trait

We should give full play to its self-confidence, boundless creativity, keen sense of touch and inspiring personality, so as to embody the unique beauty of perfect integration of wisdom and emotion.


This autumn and winter series is tailoring, materials and materials.

personality

Design, showing a distinctive style.

Umbrella shaped and knee short skirts perfectly match socks and toe shoes; self cultivation and ankle trousers are reflected with soft soft sweaters, which make rhombohedral patterns more interesting.

In addition, the unique knitted twisted knitted and lightweight woolen jackets are replaced with different tailoring proportions, which are refreshing. The classic knitted dress is decorated with soft sheepskin and other details, showing a unique artistic color.

The design of the double faced skirt with the abstract feather pattern is the highlight design of this series, and again presents the essence of the creation in the late twentieth Century and 50s.

In terms of color, warm and neutral tones are the main colors, including camel, dark blue, purplish red and dark brown.


With its fashionable shape, fine European design and avant-garde artistic touch, 2011

Autumn and winter

The series of new products can be regarded as a perfect example of equal emphasis on wisdom and emotion.


EQ:IQ2011 autumn winter series and Ma Yanhong's artwork will be exhibited together at the D-Space Gallery in Sanlitun, Beijing.



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