How to evaluate the show properly, perhaps the words of authoritative Fashion Critic TimBlanks can be summed up: "the past dominated by gravity, and the future dominated by simplicity, meet at their center.

He mixed his style with his personal understanding of the history of Dior, and proved that RafSimons does not just follow.

At the same time, it pushes forward the whole garment industry.

At the end of the curtain.

Above all, the first decision of RafSimons's operation has naturally become the focus of attention.

All the conjectures were answered at the moment of the opening of the show.

As expected, RafSimons's Dior is far away from the romantic complexity of the JohnGalliano era, and runs directly to the outline of minimalism.

RafSimons placed her Dior virgin show in 5 private rooms connected to each other, leaving two rows of seats in the gap for models to go through, and the viewing crowd could see the details of every set of high fashion.

The whole show was opened with the Raf logo of a simple tailored black suit. The model wore a bright makeup face, revealing the clean neck of the gorgeous accessories, and the twofold voice of praise and criticism appeared at the moment of moving lightly.

Whether you stand in the camp of praise or criticism, one must admit that this show has a strong RafSimons personal style.

The integration of architectural sense is easy to remind people of Mr. ChristianDior's own TheNewLook style dress.

The soft, mellow shoulders, skirt lines, and full chest clipping, such as the floral skirt and the most delicate waist waist, all remind people of the 1950s Dior album.

At the same time, a hint of illogical post-modernism is also revealed. The seemingly retro pendulum is clash with established concepts in detail.

Some people described this season's Dior as "both VintageDior's retro and JilSander.".

However, is this a good thing for the Dior brand itself? In the current fashion world (especially the high fashion fashion) with exquisite details and gorgeous decoration, this natural carving style of "light luxury" is sure to be cold.

Accustomed to the sexy provocation of JohnGalliano, how can die loyalty powder accept such a simple Dior? But tracing the source to talk about the Dior brand inheritance itself, RafSimons uses the unstacked smooth lines to show the elegance of advanced customization instead of pursuing extravagant luxury, which coincides with the style of TheNewLook. This Gao Ding also indicates the return of a new wave of minimalism.

ElyssaDimant, a fashion history scholar, once said in his book "minimalism and fashion": "minimalism is a rebellion against overly tense and complex fashion trends."

Today's flashy fashion industry may need a strong rebellion. Maybe we should wait and see the Dior led by RafSimons.

A pioneer.