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< p > Color: the color of the whole field is diversified. Apart from all kinds of dark blue lines, Yang Jie also used the color purple, rose, Zhu Hong, gold, silver and white in the design.

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< p > style: Yang Jie is accustomed to reconstructing her beloved sculptural aesthetics of Renaissance in the Miao nationality tradition < a target= "_blank" href= "//m.pmae.cn/" > dress < /a >, realizing the balance design of inheritance and innovation from an international perspective. Pragmatism and adornment have achieved innovative docking in the modern pformation of Miao ancient totem patterns reorganized by Yang Jie.

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< p > material: This release of < a target= "_blank" href= "//m.pmae.cn/" > clothing < /a > material is highlighted by the use of silk and chiffon and other materials, and with a large number of embroidered traditional seedlings embroidered against it, modern materials have a strong sense of history.

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< p > Outline: regardless of men's wear or women's wear, emphasis on < a href= "//m.pmae.cn/ > > dress > /a > waist curve has become the main language of the overall modeling design. Some men's clothing exaggerates the width of the shoulders to better show the sense of strength.

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< p > Accessories: a typical traditional style accessory, which highlights the multicolored beauty of minority culture.

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< p > < strong > Miao X fashion > /strong > /p >

＜p＞　　YANGJIE DESIGN發(fā)布會(huì)的設(shè)計(jì)靈感，源自他自己成長(zhǎng)的湘西苗族山區(qū)，從小印記在腦海中的山水間最淳樸自然的明亮色調(diào)和苗家人具有五千年歷史的刺繡紋樣，復(fù)雜精致的手繡盤龍、玉鳳、蚩尤領(lǐng)袖、蝴蝶、飛鳥、以及織錦的幾何圖形，通過(guò)數(shù)碼印花手段在平面的布料上展現(xiàn)出立體的刺繡效果，呈現(xiàn)在極為修身和具有雕塑感的西裝外套、襯衫或A字連衣裙上，純凈的湖水藍(lán)、寶石藍(lán)、魅紫，玫紅、朱紅這樣典型的苗族色彩搭配，結(jié)合“VERYFANCY”、“YOOWOO”及“素錦坊”的精美配飾，更為中國(guó)國(guó)際時(shí)裝周的2014春夏系列發(fā)布增添不少色彩，服裝上的刺繡圖案在凸顯實(shí)用性的同時(shí)，更展現(xiàn)出苗家人豐富的想象力與創(chuàng)造力。

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