In the context of patriarchal culture, ancient Chinese clothing has an ethical pursuit that pcends perceptual needs.

Under the domination of rational spirit, China's modern clothing gradually abandoned this metaphysical burden and turned to the exploration of scientism and functionalism.

Under the influence of multiculturalism, China's Postmodern dress has begun a new rebellion, namely, breaking away from the norms and patterns caused by scientism and functionalism, and having individualized and omnidirectional.

Try.

In ancient times, women's clothing should meet the three needs of human beings, that is, regulate body temperature, protect the physiological needs of the body, distinguish the social needs of identity and expression of belief, and cover the aesthetic needs of weakness and personality.

Chinese costumes, in the process of meeting these three needs, have gained their intrinsic values of civilization.

In the age of ignorance, which was not established in ancient civilization, Chinese clothing was designed to meet the physiological needs of human beings.

After entering the era of civilization, the social needs of clothing began to expand, and even to a certain extent, it was higher than physiological needs.

Under the background of patriarchal culture in ancient China, this point is mainly a secular ethics outline.

After entering the modern society, the spirit of science has replaced the dominant position of religion and ethics.

Under the control of instrumental rationality, Chinese costumes invariably discard metaphysical cultural aspirations and are consciously returning to human physiological needs.

However, this pursuit of functionalism has inevitably led to.

Scientific, model and simplification.

As a reaction to this phenomenon, China's post-modern clothing is undergoing a new exploration.

In terms of materials and techniques, China's post-modernism costumes carry out a large amount of cultural absorption across national boundaries and across time. The costumes of ancient and modern China and the West are used as symbols and tools for their own cultural creation.

In terms of value and connotation, China's post-modern costumes are carrying out no deep attempt in the plane, that is, they no longer seek the metaphysical implication behind clothing, thus eliminating ethics from the territory of dress culture, or by banter and rebel.

In terms of function and meaning, China's post modernity

The quest for innovation is no longer a purely physiological need, nor a need for ethics, but a publicity and aesthetic attempt.