After singing the youth, Chinese rock music has only nostalgia.

The photographer's photography collection of "singing the youth" was finally published.

In the golden ten years of Chinese rock and roll, the plateau has recorded a series of life experiences of friends close behind the scenes.

In the opinion of a commentator, the highly personalized work has lost the label of stars and culture. Finally, it is commendable to observe Chinese rock and roll people in a flat view.

Behind a nostalgic drama, however, is

The awkward fact that thirty years of creation has never changed.

At the musical level, this generation has been honored with the rock people of the altar. Most of the talented people just skim away in a flash in the pan. A concert can become a monument to rock and roll, and a record can lay a master status.

Compared with many old bands abroad, the word "persistence" is unfamiliar to Chinese rock musicians.

It is difficult to define whether the work of plateau is a record or a creation. Perhaps in a sense, the two are synonymous with synonyms.

Photography has always belonged to non fictional categories. Whether it is improvisation or design, every work needs the eye of the photographer. Everything in front of the lens is actually happening. The shutter is driven by emotion. The sense of presence mentioned by Wang Xiaoshuai in the foreword is exactly the same. The photographer also plays the role of appreciator, participant, recorder, creator and so on. It is precisely because of the presence of the camera that many memories are not absent today.

This is a highly personal work. All the photos were her instant personal expression. The colorful fragments she captured were invaluable real records for her and her characters in the photos. This truth has removed the makeup on the star stage, and as a label of cultural symbols, at last, we can see them in a flat view.

As for the record of Chinese rock music, this perspective is lacking in both images and words. Perhaps this is also the reason why Chinese rock music has been misunderstood for a long time.

We can not refine life to every moment to remember, many times, a moment means a very long experience, that is the process of magnifying the moment, people's memory is mostly the details of the puzzle.

Instead of recording Chinese rock and roll music, it is better to record their lives on the plateau, just to inadvertently carry more people to them.

In those days, it seems that the time that has been forgotten has been re printed, and whether the real reality will make them feel strange or unexpected.

There is a picture of Pu Shu in the summer of 1998. The picture shows Pu Shu, 25 years old, sitting on the roof of Lu Lu's home. Pu Shu said it was his most screwing time.

At the end of the concert, Pu Shu said, in fact, in the past, it was not so unhappy.

When the truth is crossed by time, it is inevitable that memories can create illusions. Fortunately, with these pictures, emotion can be safely closed.

The people in the photo have great intercourse with each other. The plateau is like a similar item in their merger. There is also a piece of territory that belongs entirely to her. That is Dou Wei, the man who has deeply imprinted her.

For a long time, for the introduction of plateau individuals, there will be an attachment to Dou Wei's ex-wife, which is somewhat uncomfortable for those who are born independent.

And because of the story of Dou Wei and Faye Wong, it is still a long way to spend for entertainment.

Except for those coined essays, we seldom hear her comment on Dou Wei. If we explore it with a curious attitude, there is not enough footnote in this sentiment. The other meaning of this work is the conclusion of this case. We finally know what kind of person Dou Wei is in her eyes. So ordinary, ordinary and lovely, it is not like a rock and roll star. This is the trait of personal recall, dilute the legend, and examine the extraordinary things that can not be drowned in the ordinary.

It is very worried that this work is interpreted as the history of early Chinese rock music, but this misunderstanding is unavoidable. It does play this function, but this is not the original intention.

This group of Chinese rock music is the earliest practitioner in the plateau. Many people are now the first choice for memory in the 90s of last century.

They are endowed with too much cultural and social significance. In this context, they are no longer the rock stars in pop culture. They are more like the special samples of that era. They have shown the most saturated life forms in the changing era. Their bright colors are not only the outlet of anger, but also the comfort of the soul. It is also a possibility of life, and a vague possibility of confusing escape and yearning at the same time.

Although this saturation of tension is only a short cut, our spiritual absence has never been able to make these people truly belong to the ordinary.

Rock music has been fragmented in China.

與樂是分開的，我們的文本至上主義成就了搖滾的先鋒角色，受眾在決定是否接受吶喊與彷徨后便被迅速歸類，成為少數(shù)派多少會帶有一些品味上的虛榮，無奈搖滾在如今已是大眾文化消費品，曾經(jīng)的虛榮心出現(xiàn)斷檔，曾經(jīng)的意義也開始變得面目模糊，就這么把青春唱完讓許多人心有不甘卻也無計可施，當高原這些照片將往日重現(xiàn)，很多人已失效的過去便與此刻重新取得了鏈接，最終免不了一場懷舊大秀，雖然這無可厚非，但總有個疑問在心底縈繞不去，是不是中國搖滾只剩下了懷舊?一場演唱會就可以成為搖滾豐碑，一張唱片就可以奠定大師地位，如果說這有什么偉大的意義，我想它只能證明我們這三十年的創(chuàng)作貧瘠從未改變。

This generation of rock people has never been pushing in essence.

Although they have created countless songs, many of their short-lived talents lack a second emphasis. Even if this talent is undeniable, it seems that they can be explained in terms of probability.

The thin band once sang "persistence is victory". This is a roar of desperation, or a self imposed encouragement. We can not see it, but insisting on this word is unfamiliar to many generations of rock.

The band's dissolution, the renaming of the band, the change of style, and even the pformation have already been the norm of the industry. The heavy metal style band that has a profound influence on this generation of rock and roll has not ceased writing and performing. No matter how the fashion wave changes, they always insist on style.

Metallica and Megadeth have been on the stage of China. Are those heavy metal outdated? Are they still outdated? Those metal gifts that are held high at the scene are not only the charm of music, but also the insistence of faith.

From heavy metals and popular metals to punk, new metals, to the UK, to rap and electronics, the process of Chinese rock and roll is highly condensed. If we want to record this "youth singing" as a record of the process, it can only be explained that the first generation of rock people has just reached the permitted year of remembrance.